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We will give you an in depth look at creating shadings and
effects using halftones in Adobe Illustrator using the Phantasm CS plug-in. If
you wish to follow the tutorial I highly recommend that you download the free
14 day trial via the AstuteGraphics website.
As well as working with halftones, I'll be also constructing
the design from stock image in Adobe Photoshop, using Gradient Meshes and Live
Trace (known as Image Trace in CS6+).
1. Find the Right Stock Images
For this tutorial I thought of making a 70s style pinup/movie
poster. The first thing to get for this kind of artwork is good stock images.
Since we are using it as a template for our composition it is crucial that the
pictures are lit well and that they work well as a reference for our halftone
effects.
Take your time finding the right kind of stock images,
especially if it's a collage consisting of several elements. It can be very
frustrating when in the middle of the creation process you find out that you
are running into issues with the photos that you are using. Also be sure to own
the copyright of the used stock, even more so if you're selling the design onto
a client. The pictures I am using with this tutorial have been purchased from
Photodune.
2. Compose Your Design in Photoshop
I am creating the main layout in Photoshop. For this kind of
workflow you need to get the general layout done accurate as you can. Changing
positions or replacing stock when you already have the composition in
Illustrator may create unnecessary delays.
I converted the elements to black and white, and made a
rough cutout. You don't have to be precise at this step, just make sure that
you don't loose any part of the image that you might need later. I usually work
with the pictures in the original resolution to have as much detail as possible
for when it comes to Live Tracing. My Photoshop file at this point is 2000 x
2500px, so Save for Web & Devices.
3. Create Outlines in Illustrator
Now it's time to head over to Adobe Illustrator. I create a
New file and File > Place the image you created in Photoshop. This will be
our reference. We add additional layers: a solid fill background underneath the
reference and a separate layer for our outlines and highlights.
For the colors we create Global Swatches, this way we can
easily change the colors of the composition as it progresses.
I am using the Pen Tool (P) to create the outlines. To have
more control over the style of the design, I'm going to draw filled shapes
instead of using uniformed stroke lines. My style is basically similar to a
cartoon shading; I use lines to indicate where the dark and bright areas are.
Try to use as little anchor points as possible and work with the handles
efficiently, since you will be able to correct and smooth things easier.
4. Use Gradient Meshes for Shading
Now for the main focus of our tutorial: how to create a
style halftone effect. We start by outlining an area with our trusted Pen Tool
(P) around the area where we want our halftone to be. The halftones make the
most sense in areas where there is a smooth transition from light to dark.
I create a Gradient Mesh inside our closed object. Keep the
points to a minimum to keep the complexity low. Next we customize the points of
the gradient mesh so we get a shading similar to the skin shading of our
reference image.
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